This anthology marks the emergence of one of the finest and most innovative new artists writing for the theater today. “The secret of Shinn’s success is in the way he exploits the dramatic gap between what is said and that which is left unsaid . . . writing like this is rare,” said the London Independent . Where Do We Live , the title play, was written shortly after 9/11 and though never referenced, it still haunts this chronicle of the struggles of several...
"Mr. Shinn is among the most provocative and probing of American playwrights today."—The New York Times "Chris Shinn explores politics and ethics without moralizing and finds justice and beauty in intimate life, keenly observed and rendered scrupulously, unapologetically, fearlessly . . . I admire his work enormously."—Tony Kushner When a campus tragedy makes national headlines, Gabe, a senior who runs the Queer Students Group, discovers that events surrounding the...
“The finest new American play I’ve seen in a long while . . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”— The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated...
