These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at...
Джеймс Джойс (1882–1941) – великий ирландский писатель, классик и одновременно разрушитель классики с ее канонами, человек, которому более, чем кому-либо, обязаны своим рождением новые литературные школы и направления XX века. Роман «Улисс» (1922) – главное произведение писателя, определившее пути развития искусства прозы и не раз признанное лучшим, значительнейшим романом за всю историю этого жанра. По замыслу автора, «Улисс» – рассказ об одном дне, прожитом одним обывателем из одного...
