If ostranenie—to make strange—is the mandate of contemporary poetry, EMILY CARR has achieved this both brilliantly and beautifully. Kaleidoscopic in its glimmering slivers, the life she brings us is built of charged familiars slightly and completely changed: the sun turns on its stem; the stallion rolls in a pasture of blue ether. Although she references poetic antecedents from Wallace Stevens and William Carlos Williams to Joan Retallack and Mary Ruefle, it’s not their voices, but their...
This selection of writings by twenty-nine women, known and unknown, professional and amateur, presents a unique portrait of Canada through time and space, from the seventeenth to the early twentieth centuries, from the Maritimes to British Columbia and the Far North. There is a range of voices from high-born wives of governors general, to an Icelandic immigrant and a fisherman’s wife in Labrador. A Loyalist wife and mother describes the first hard weather in New Brunswick, a seasick nun tells of...
