Is Second Corinthians, one of Paul's most personal and passionate letters, better understood as a text or a performance? Using an audience-oriented method, Timothy Milinovich examines the letter as orally performed correspondence, from the view of the authorial (i.e., intended or ideal) audience. What results is an original structural analysis of 2 Corinthians 1:1–6:2, denoting twenty chiastic units and three larger macrochiastic arguments. This arrangement is intended to show what the...
