This book provides a new understanding of fictocriticism—a genre stemming from metafiction, écriture feminine, and postmodernism—via original creative and experimental writing devoted to the issue of the contemporary self, offering a reinvigoration of fictocriticism as a writing strategy. Cholewa explores questions surrounding what fictocriticism is and what it can do, and the essential paradox between theories surrounding fictocriticism suggesting how ‘freeform’ it is, yet how non-freeform...