"Right Ho, Jeeves" is P. G. Wodehouse's full-length novel featuring his most beloved character, Jeeves. At the outset we find Bertie Wooster returning from Cannes to discover that Gussie Fink-Nottle has been regularly visiting Jeeves to ask his advice in matters of the heart. Gussie is in love with Madeline Bassett, the friend of Angela Travers who is the daughter of Bertie's Aunt Dahlia Travers, and is intent upon courting her. As one would expect with Wodehouse's Jeeves...
Anatole France (1844-1924) was a French poet, journalist, and novelist. He was born in Paris, and died in Saint-Cyr-sur-Loire. He was a successful novelist, with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the Académie Française, and won the 1921 Nobel Prize for Literature “in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a...
The Stephen Vincent Benét MEGAPACK™ collects 22 tales (fantasy, horror, mainstream, mystery) by the acclaimed author of «John Brown’s Body» (1928), for which he won a Pulitzer Prize in 1929. Benét’s best known short stories include “The Devil and Daniel Webster” (1936) and “By the Waters of Babylon” (1937). All three of these are included in The Stephen Vincent Benét MEGAPACK™, along with a generous selection of Benét's other works. Here you will find:<P> BY THE WATERS OF...
Alexei Maximovich Peshkov (1868–1936), primarily known as Maxim (or Maksim) Gorky, was a Russian and Soviet writer, a founder of the socialist realism literary method and a political activist. Around fifteen years before success as a writer, he frequently changed jobs and roamed across the Russian Empire; these experiences would later influence his writing. Gorky’s most famous works were The Lower Depths (1902), Twenty-six Men and a Girl, The Song of the Stormy Petrel, The Mother, Summerfolk and...
As America's economic and cultural influence grew in the 20th Century, the history of the literary arts in Europe cast a long shadow onto this burgeoning nation. And thus, the myth of the Great American Novel was born of a loaded question—would the United States ever produce a work to rival the accepted great works of Western Culture? Many tried. And, in the trying, many looked to model themselves after already extant writers and works which had gained positive notice (as standing on the...
