Ich werde oft gefragt: Wann hast du gemerkt, dass du anders bist? Das ist schwer zu sagen. Eigentlich habe ich es schon immer gewusst. Auch wenn es mir anfangs vielleicht gar nicht bewusst war.
There is never a dull phrase in Arthur Saltzman's OBLIGATIO01 General/trade OF THE HARP, his fourth book of essays. The writing in these twenty-five pieces is by turns wry and satirical, sensually descriptive, playfully punning-but always nuanced and illuminating. Reference points range from Kobe Bryant to John Updike, from geology to Jewish ritual.
As a child she was «contrary,»as a young woman she defied convention to choose art over marriage, and as a middle-aged woman she was considered a full-blown eccentric. Listening to her own inner voice, Emily Carr created an art unique to British Columbia.
Mireille Gansel grew up in the traumatic aftermath of her family losing everything—including their native languages—to Nazi Germany. In the 1960s and 70s, she translated poets from East Berlin and Vietnam. Gansel’s debut conveys the estrangement every translator experiences by moving between tongues, and muses on how translation becomes an exercise of empathy between those in exile.
"Represents a new generation of women's writing, one in which personal histories and maternal legacies are reclaimed in the context of a feminist consciousness of the effects of class, race, ethnicity, and sexuality on the individual life.... McNaron creates a vivid, moving, and memorable account of life and a person developing in, with, and against the times."–Nancy Porter, CALYX