"The Great God Pan is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." – New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly...
World premiere at Yale Repertory Theatre in New Haven, C.T. in the spring of 2017, which opened to critical acclaim from regional reviewers. Subsequent Off-Broadway premiere at New York Theatre Workshop in the fall of 2017 starring Carrie Coon. <p><p> Early talk of Broadway transfer in spring 2018.<p><p> Herzog’s work is a popular for drama courses; Also, with themes of motherhood and caregiving, could do well targeting audiences with those interests....
"A quietly devastating play… Both a perceptive drama depicting the sudden fraying of a young marriage and a nail-biting psychological thriller… Belleville is among the most suspenseful plays I've seen in years." – Charles Isherwood, New York Times"Masterly… Among the new crop of young American playwrights, Herzog is in a class by herself." – Richard Zoglin, TimeAbby and Zack, young American newlyweds, have abandoned a comfortable postgraduate life in the states for Belleville, a...
"After the Revolution is a smart, funny and provocative play. . . . Herzog deftly avoids simple-minded polemics in favor of richly detailed people who are as ready to examine their relationships as they are their consciences."—Variety «A funny, moving new play . . . 4,000 Miles is a quiet meditation on mortality. But it's hardly a downer: Ms. Herzog's altogether wonderful drama also illuminates how companionship can make life meaningful, moment by moment, in death's...
