Historians have claimed that when social stability returned to Korea after a series of devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chos n dynasty was a period of unprecedented economic and cultural renaissance. This book questions this age-old belief by claiming that true-view landscape and genre�paintings were most likely�adopted to propagandize�social harmony under Chos n rule and to justify the status,...
Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and...