Серия "Weimar and Now: German Cultural Criticism"

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Berlin Electropolis

Andreas Killen

Berlin Electropolis

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Andreas Killen

Cinema and Experience

Miriam HANSEN

Cinema and Experience

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Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno—affiliated through friendship, professional ties, and argument—developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on...

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Miriam HANSEN

Metropolis Berlin

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Metropolis Berlin

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Metropolis Berlin: 1880-1940 reconstitutes the built environment of Berlin during the period of its classical modernity using over two hundred contemporary texts, virtually all of which are published in English translation for the first time. They are from the pens of those who created Berlin as one of the world’s great cities and those who observed this process: architects, city planners, sociologists, political theorists, historians, cultural critics, novelists, essayists, and journalists....

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The Third Reich Sourcebook

Sander L. Gilman

The Third Reich Sourcebook

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No documentation of National Socialism can be undertaken without the explicit recognition that the «German Renaissance» promised by the Nazis culminated in unprecedented horror—World War II and the genocide of European Jewry. With The Third Reich Sourcebook, editors Anson Rabinbach and Sander L. Gilman present a comprehensive collection of newly translated documents drawn from wide-ranging primary sources, documenting both the official and unofficial cultures of National...

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Sander L. Gilman

The 1972 Munich Olympics and the Ma...

Chris Young

The 1972 Munich Olympics and the Making of Modern Germany

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The 1972 Munich Olympics—remembered almost exclusively for the devastating terrorist attack on the Israeli team—were intended to showcase the New Germany and replace lingering memories of the Third Reich. That hope was all but obliterated in the early hours of September 5, when gun-wielding Palestinians murdered 11 members of the Israeli team. In the first cultural and political history of the Munich Olympics, Kay Schiller and Christopher Young set these Games into both the context of 1972 and...

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Chris Young

Siegfried Kracauer's American Writi...

Siegfried Kracauer

Siegfried Kracauer's American Writings

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Siegfried Kracauer (1889–1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature, and media theory that Kracauer wrote during the quarter century he spent in America after fleeing Nazi-occupied Europe. In the decades following his arrival in the United States, Kracauer commented...

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Siegfried Kracauer

Berlin Psychoanalytic

Veronika Fuechtner

Berlin Psychoanalytic

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One hundred years after the Berlin Psychoanalytic Institute was established, this book recovers the cultural and intellectual history connected to this vibrant organization and places it alongside the London Bloomsbury group, the Paris Surrealist circle, and the Viennese fin-de-siècle as a crucial chapter in the history of modernism. Taking us from World War I Berlin to the Third Reich and beyond to 1940s Palestine and 1950s New York—and to the influential work of the Frankfurt School—Veronika...

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Veronika Fuechtner

Edgar G. Ulmer

Noah Isenberg

Edgar G. Ulmer

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Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors—Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on...

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Noah Isenberg

Art of Suppression

Pamela M. Potter

Art of Suppression

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This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to...

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Pamela M. Potter

The Dialectical Imagination

Martin Jay

The Dialectical Imagination

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Herbert Marcuse, Erich Fromm, Max Horkheimer, Franz Neumann, Theodor Adorno, Leo Lowenthal—the impact of the Frankfurt School on the sociological, political, and cultural thought of the twentieth century has been profound. The Dialectical Imagination is a major history of this monumental cultural and intellectual enterprise during its early years in Germany and in the United States. Martin Jay has provided a substantial new preface for this edition, in which he reflects on the...

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Martin Jay

Weimar on the Pacific

Ehrhard Bahr

Weimar on the Pacific

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Ehrhard Bahr

Cool Conduct

Helmut Lethen

Cool Conduct

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Helmut Lethen

Germany in Transit

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Germany in Transit

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The Authority of Everyday Objects

Paul Betts

The Authority of Everyday Objects

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Paul Betts

Rosenzweig and Heidegger

Peter Gordon

Rosenzweig and Heidegger

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Peter Gordon

No Place Like Home

Johannes von Moltke

No Place Like Home

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Johannes von Moltke

The Face of East European Jewry

Arnold Zweig

The Face of East European Jewry

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Arnold Zweig

Weimar Surfaces

Janet Ward

Weimar Surfaces

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Janet Ward

The Red Count

Laird M. Easton

The Red Count

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Laird M. Easton

The Promise of Cinema

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The Promise of Cinema

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Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving...

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