Серия "Material Texts"

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The Afterlife of Character, 1726-18...

David A. Brewer

The Afterlife of Character, 1726-1825

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David A. Brewer

After Augustine

Brian Stock

After Augustine

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Augustine of Hippo was the most prolific and influential writer on reading between antiquity and the Renaissance, though he left no systematic treatise on the subject. His reluctance to synthesize his views on other important themes such as the sacraments suggests that he would have been skeptical of any attempt to bring his statements on reading into a formal theory. Yet Augustine has remained the point of reference to which all later writers invariably return in their search for the roots of...

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Brian Stock

Used Books

William H. Sherman

Used Books

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In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as «rather soiled by use.» When the book was displayed the next year, the exhibition catalogue described it as «well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner»; and the book's buyer, for his part, considered it to be «enlivened by the marginal notes and comments.» For this collector, as for an increasing number of...

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William H. Sherman

Owning William Shakespeare

James J. Marino

Owning William Shakespeare

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Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part...

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James J. Marino

The Medieval Craft of Memory

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The Medieval Craft of Memory

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In antiquity and the Middle Ages, memory was a craft, and certain actions and tools were thought to be necessary for its creation and recollection. Until now, however, many of the most important visual and textual sources on the topic have remained untranslated or otherwise difficult to consult. Mary Carruthers and Jan M. Ziolkowski bring together the texts and visual images from the twelfth through the fifteenth centuries that are central to an understanding of memory and memory technique....

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"Hamlet" After Q1

Zachary Lesser

"Hamlet" After Q1

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In 1823, Sir Henry Bunbury discovered a badly bound volume of twelve Shakespeare plays in a closet of his manor house. Nearly all of the plays were first editions, but one stood out as extraordinary: a previously unknown text of Hamlet that predated all other versions. Suddenly, the world had to grapple with a radically new—or rather, old— Hamlet in which the characters, plot, and poetry of Shakespeare's most famous play were profoundly and strangely transformed. Q1,...

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Zachary Lesser

Ways of Writing

David D. Hall

Ways of Writing

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Writers abounded in seventeenth-century New England. From the moment of colonization and constantly thereafter, hundreds of people set pen to paper in the course of their lives, some to write letters that others recopied, some to compose sermons as part of their life work as ministers, dozens to attempt verse, and many more to narrate a remarkable experience, provide written testimony to a civil court, participate in a controversy, or keep some sort of records—and of these everyday...

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David D. Hall

Voice in Motion

Gina Bloom

Voice in Motion

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Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted...

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Gina Bloom

Plagiarism and Literary Property in...

Tilar J. Mazzeo

Plagiarism and Literary Property in the Romantic Period

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In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when...

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Tilar J. Mazzeo

The Fabrication of American Literat...

Lara Langer Cohen

The Fabrication of American Literature

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Literary histories typically celebrate the antebellum period as marking the triumphant emergence of American literature. But the period's readers and writers tell a different story: they derided literature as a fraud, an imposture, and a humbug, and they likened it to inflated currency, land bubbles, and quack medicine. Excavating a rich archive of magazine fiction, verse satires, comic almanacs, false slave narratives, minstrel song sheets, and early literary criticism, and revisiting...

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Lara Langer Cohen

Books Without Borders in Enlightenm...

Jeffrey Freedman

Books Without Borders in Enlightenment Europe

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Though the field of book history has long been divided into discrete national histories, books have seldom been as respectful of national borders as the historians who study them—least of all in the age of Enlightenment when French books reached readers throughout Europe. In this erudite and engagingly written study, Jeffrey Freedman examines one of the most important axes of the transnational book trade in Enlightenment Europe: the circulation of French books between France and the...

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Jeffrey Freedman

The Traveler, the Tower, and the Wo...

Alberto Manguel

The Traveler, the Tower, and the Worm

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As far as one can tell, human beings are the only species for which the world seems made up of stories, Alberto Manguel writes. We read the book of the world in many guises: we may be travelers, advancing through its pages like pilgrims heading toward enlightenment. We may be recluses, withdrawing through our reading into our own ivory towers. Or we may devour our books like burrowing worms, not to benefit from the wisdom they contain but merely to stuff ourselves with countless words. With...

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Alberto Manguel

Romantic Marks and Measures

Julia S. Carlson

Romantic Marks and Measures

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In the late eighteenth century, British print culture took a diagrammatic and accentual turn. In graphs of emphasis and tonal inflection, in signs for indicating poetic stress, and in tabulations of punctuation, elocutionists, grammarians, and prosodists deployed new typographic marks and measures to represent English speech on the page. At the same time, cartographers and travel writers published reconfigurations of landscape on large-scale topographical maps, in geometric surveys, and in...

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Julia S. Carlson

Cultures of Correspondence in Early...

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Cultures of Correspondence in Early Modern Britain

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The letter is a powerfully evocative form that has gained in resonance as the habits of personal letter writing have declined in a digital age. But faith in the letter as evidence of the intimate thoughts of individuals underplays the sophisticated ways letters functioned in the past. In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from a variety of disciplinary perspectives to uncover the habits, forms, and secrets of letter writing. Where material...

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Colonial Revivals

Lindsay DiCuirci

Colonial Revivals

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In the long nineteenth century, the specter of lost manuscripts loomed in the imagination of antiquarians, historians, and writers. Whether by war, fire, neglect, or the ravages of time itself, the colonial history of the United States was perceived as a vanishing record, its archive a hoard of materially unsound, temporally fragmented, politically fraught, and endangered documents. Colonial Revivals traces the labors of a nineteenth-century cultural network of antiquarians, bibliophiles,...

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Lindsay DiCuirci

Reading Children

Patricia Crain

Reading Children

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What does it mean for a child to be a «reader» and how did American culture come to place such a high value on this identity? Reading Children offers a history of the relationship between children and books in Anglo-American modernity, exploring long-lived but now forgotten early children's literature, discredited yet highly influential pedagogical practices, the property lessons inherent in children's book ownership, and the emergence of childhood itself as a literary property. The...

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Patricia Crain

Out of Sorts

Joseph A. Dane

Out of Sorts

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The new history of the book has constituted a vibrant academic field in recent years, and theories of print culture have moved to the center of much scholarly discourse. One might think typography would be a basic element in the construction of these theories, yet if only we would pay careful attention to detail, Joseph A. Dane argues, we would find something else entirely: that a careful consideration of typography serves not as a material support to prevailing theories of print but, rather, as...

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Joseph A. Dane

Reading Women

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Reading Women

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In 1500, as many as 99 out of 100 English women may have been illiterate, and girls of all social backgrounds were the objects of purposeful efforts to restrict their access to full literacy. Three centuries later, more than half of all English and Anglo-American women could read, and the female reader was emerging as a cultural ideal and a market force. While scholars have written extensively about women's reading in the nineteenth and twentieth centuries and about women's writing in...

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Knowing Books

Christina Lupton

Knowing Books

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The eighteenth century has long been associated with realism and objective description, modes of representation that deemphasize writing. But in the middle decades of the century, Christina Lupton observes, authors described with surprising candor the material and economic facets of their own texts' production. In Knowing Books Lupton examines a variety of eighteenth-century sources, including sermons, graffiti, philosophical texts, and magazines, which illustrate the range and character...

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Christina Lupton

American Literature and the Culture...

Meredith L. McGill

American Literature and the Culture of Reprinting, 1834-1853

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Meredith L. McGill

Curiosities and Texts

Marjorie Swann

Curiosities and Texts

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Marjorie Swann

The Literary Market

Geoffrey Turnovsky

The Literary Market

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A central theme in the history of Old Regime authorship highlights the opportunities offered by a growing book trade to writers seeking to free themselves from patrons and live «by the pen.» Accounts of this passage from patronage to market have explored in far greater detail the opportunities themselves—the rising sums paid by publishers and the progression of laws protecting literary property—than how and why writers would have seized on them, no doubt because the choice to...

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Geoffrey Turnovsky

Bound to Read

Jeffrey Todd Knight

Bound to Read

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Concealed in rows of carefully restored volumes in rare book libraries is a history of the patterns of book collecting and compilation that shaped the literature of the English Renaissance. In this early period of print, before the introduction of commercial binding, most published literary texts did not stand on shelves in discrete, standardized units. They were issued in loose sheets or temporarily stitched—leaving it to the purchaser or retailer to collect, configure, and bind them....

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Jeffrey Todd Knight

Paper Monsters

Samuel Fallon

Paper Monsters

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Samuel Fallon

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