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All Religions are One is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom (1787), All Religions are One and There is No Natural Religion represent Blake's first successful attempt to combine image and text via relief etching, and are thus the earliest of his illuminated manuscripts. As such, they serve as a significant milestone in Blake's career. ...

All Religions are One is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom (1787), All Religions are One and There is No Natural Religion represent Blake's first successful attempt to combine image and text via relief etching, and are thus the earliest of his illuminated manuscripts. As such, they serve as a significant milestone in Blake's career. ...

The Gates of Paradise, were first published in a limited run in 1793, Blake later changed the title to For the Sexes: The Gates of Paradise, and added several more drawings as well as a preface and concluding verse, publishing this version in 1818. The seventeen emblematic drawings and their commentaries depict the life of man from birth to death: passage through the four elements (water, earth, wind and fire), hatching as a child from the «mundane shell,» encountering women, reaching for the...

The Gates of Paradise, were first published in a limited run in 1793, Blake later changed the title to For the Sexes: The Gates of Paradise, and added several more drawings as well as a preface and concluding verse, publishing this version in 1818. The seventeen emblematic drawings and their commentaries depict the life of man from birth to death: passage through the four elements (water, earth, wind and fire), hatching as a child from the «mundane shell,» encountering women, reaching for the...

Выдающийся лирик Владимир Соколов (1928–1997), лауреат Государственной и Пушкинской премий, оставил большое творческое наследие. Книга «Это вечное стихотворенье…» воспроизводит путь поэта, длившийся полвека. Пройдем по этому времени вслед за высокой Музой одного из лучших русских поэтов XX века.

В четвертый том Собрания сочинений Г. Грасса вошли повести «Встреча в Тельгте» и «Крик жерлянки», эссе «Головорожденные», рассказы, стихотворения, а также «Речь об утратах (Об упадке политической культуры в объединенной Германии)».

Раскрывая тему героического прошлого нашей Родины, автор создал ряд поэтических произведений по мотивам русского былинного эпоса. Читатель познакомится с былинами о Даниле Ловчанине, о Микуле Селяниновиче, об Илье Муромце и других.