The Lyrical Dramas of Aeschylus Aeschylus

Aeschylus - The Lyrical Dramas of Aeschylus

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Aeschylus

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Prometheus Bound and Other Plays

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Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre. In «Suppliant Maidens,» the fifty daughters of Danaus flee from marriages to the fifty sons of their uncle, showing an obedience to their father that has tragic consequences. «The Persians», thought to be the oldest surviving play in the history of drama, focuses on the gory defeat of King Xerxes in...

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Prometheus Bound and Other Plays

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Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre. In «Suppliant Maidens,» the fifty daughters of Danaus flee from marriages to the fifty sons of their uncle, showing an obedience to their father that has tragic consequences. «The Persians» is thought to be the oldest surviving play still in existence today, and is additionally unique because it...

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The Oresteia (Agamemnon, The Libati...

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The Oresteia (Agamemnon, The Libation-Bearers, and The Eumenides)

The importance of Æschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness to the performances by his development of...

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The Oresteia: Agamemnon, The Libati...

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The Oresteia: Agamemnon, The Libation Bearers, and The Eumenides (Translated by E. D. A. Morshead with an introduction by Theodore Alois Buckley)

The importance of Aeschylus in the development of drama cannot be overstated. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue, and reducing the lyrical parts, he practically created Greek tragedy as we know it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and did much to improve the performances by his development of scene and costume on the stage. “The...

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