Cutting Room both describes and pushes against the anxious hum of the technologically saturated present. Sarah Pinder's poems navigate domestic and «natural» spaces as landscapes charged with possible violence and desire while they scan scenes as an outsider or camera eye to unsettle and fray familiar settings. Using hyper-focus and the long gaze, they draw the eye to the corners and seams of these spaces, slowing us down, shifting our focus to worn detail, asking us to seek pattern and possibility in a hyper-paced present tense. These are little ominous films, documenting the minutiae around us that can be our undoing.Let their ribs stretch out – there is no figurewhich is not also a ground inits arctic plane. Cutting rooms as luckwould have it have academic sincerity.Sarah Pinder was born in Sault Ste. Marie, Ontario, and lives in Toronto, Ontario. This is her first collection.
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Common Place negotiates intimacy while navigating the complexities of memory, addressing shifting, resilient bodies and landscapes challenged by systems of capital and power. From thin threads of text messages across borders to encounters with strangers in the crush of rush hour transit, Sarah Pinder explores seeing and being seen in our most private and public of moments. With considered, quiet urgency, these poems name our ambiguous, aching present and look towards what comes next.
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"A Child's Garden of Verses" by Robert Louis Stevenson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly...
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Alfred Edward Housman (1859-1936) was an English poet and classical scholar whose work became a major force in turn-of-the-century English poetry. Unlike his contemporaries, Houseman's poetry does not qualify as Romantic, Victorian or Modernist, and is not overly sentimental or optimistic; instead, his deeply pessimistic and ironic poetry, written clearly and succinctly, earned Housman notoriety as one of the foremost classicists of his time. His best-known work, «A Shropshire Lad», is a...
