Louisa May Alcott - A Christmas Dream and Other Christmas Stories by Louisa May Alcott краткое содержание
"First, my child, what do you want most?" asked the godmother, quite in the fairy-book style. «To be loved by everybody,» answered Becky. «Good!» said the cat. «I'm pleased with that answer, it's sensible, and I'll tell you how to get your wish. Learn to make people love you by loving them.» – «Becky's Christmas Dream» Table of Contents: Merry Christmas A Christmas Dream And How It Came True Becky's Christmas Dream Kitty's Class Day Rosa's Tale Tilly's Christmas The Abbot's Ghost, Or Maurice Treherne's Temptation What the Bell Saw and Said Louisa May Alcott (1832-1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886).
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A collection of short stories by the famous authoress of classics like 'Little Women. Each story is woven about the flower from which it takes its name. The lessons of self-sacrifice and kindness to others contained in these stories cannot fail to help the youthful readers, so earnestly are they presented by the author, who has endeared herself to girls.
A collection of short stories by the famous authoress of classics like 'Little Women. Each story is woven about the flower from which it takes its name. The lessons of self-sacrifice and kindness to others contained in these stories cannot fail to help the youthful readers, so earnestly are they presented by the author, who has endeared herself to girls.
"A Modern Mephistopheles" was one of the best novels in that remarkable collection of American fiction known as the 'No Name' series. Miss Alcott's name has long been associated with it, because she never made any special effort to conceal the authorship. It is in many respects her most noteworthy effort, and by it her qualities as a writer may safely be judged. The novel is distinctly poetical in motive and the imaginative power displayed in the working out of the plot is to...
"The author of «Little Women» seeks, and not without success, to draw from her «Old-Fashioned Girl» a contrast and a moral. She presents to our view two young ladies of opposite «styles.» One is fresh and rural: the other isn't. The difference is about as great as that between the warbling of woodside birds and the jingle of one of Offenbach's tunes on a corner barrel-organ."—Book Notice from Punchinello, April 30,1870.
