“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…<em>Miss You Like Hell </em>is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, <em>New York Times</em><p> <p>A...
• World premiere in the spring of 2016 at Signature Theatre Company (Off-Broadway, New York), directed by Thomas Kail (Hamilton)• Hudes’ work deals with both human interest stories as well as more specifically cultural topics relevant to Hispanic Americans. Target readership might be as broad as anyone with an interest in theatre, as well as any Hispanic/Latino-leaning organizations or academic curricula.• Daphne’s Dive is Hudes’ first contribution to her residency as part of Signature’s...
“How many plays make us long for grace? Water by the Spoonful by Quiara Hudes is such a rare play; it is a yearning, funny, deeply sad and deeply lyrical piece, a worthy companion to Hudes’s Elliot, A Soldier’s Fugue. The play infects us with the urge to find connection within our families and communities and remains with us long after we’ve left the theater.” –Paula Vogel, Pulitzer Prize-winning author of How I Learned to Drive “Hudes’s writing is controlled and graceful. Each of the...
"Elliot, A Soldier's Fugue is that rare and rewarding thing: a theatre work that succeeds on every level while creating something new. The playwright combines a lyrical ear with a sophisticated sense of structure to trace the legacy of war through three generations of a Puerto Rican family. Without ever invoking politics, Elliot, a Soldier's Fugue manages to be a deeply poetic, touching and often funny indictment of the war in Iraq."—The New York Times From Quiara...
