Jon Mote–grad school dropout and serial failure–has been hired to investigate the murder of his erstwhile mentor, Richard Pratt, a star in the firmament of literary theory. Feeling unequal to the task, Mote skitters on the edge of madness, trying to stifle the increasingly threatening voices in his head. His only source of hope is the dogged love of his developmentally disabled sister, Judy, who serves as cheerleader, critic, and moral compass. Death Comes for the Deconstructionist follows Mote...
A young woman is dead. A man with diminished capacity is accused. His friends, also wounded, try to help him. In the process, they teach Jon Mote a thing or two he desperately needs to learn. Jon no longer hears voices, but he's not convinced a silent universe is much better than a haunted one. He's returned his sister Judy to her group home and taken a staff job there that puts him in the company of six folks who, a bit rebelliously, he calls Specials. Jon thinks his job is to...
