Don't be deceived by this tardis of a book, its three small monologues contain multitudes. Through the gently detailed lives of its subjects whole civilisations emerge: the fifteenth-century India of the dying and illiterate poet, Kabir; the Stalinist Russia of Chekhov's younger sister, Maria; and the early seventeenth-century, Inquisition-ravaged Italy of the Calabrian theologian and poet, Tommaso Campanella. The characters, at the end of their lives, are haunted by their pasts, and...
When I listen to Bach, I seem to turn into a fish'. – Bach (Pau) in Love.<br /> <br />'We forget because we want to live. We forget because we live in hope for a better life. It's this wretched hope that demands that we forget the unforgettable'. – The Last Smile of Graf Tolstoy.<br /> <br />These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A...
