<P>This is the first account of the evolution of music at Wesleyan University, a campus known since the mid-nineteenth century for its musical life—first as the «Singing College of New England» and then, after 1960, as the home of a renowned undergraduate and graduate department that integrates world music studies with more traditional Western and experimental musical forms. Through excerpts from accounts in the campus newspaper over the earlier decades and eyewitness accounts by...
