Серия "Clay Sanskrit Library"

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Garland of the Buddha’s Past Lives...

Aryashura

Garland of the Buddha’s Past Lives (Volume 1)

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The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins...

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Aryashura

Mahabharata Book Nine (Volume 2)

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Mahabharata Book Nine (Volume 2)

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In one of the most famous passages in Maha·bhárata , Dur·yódhana, the heroic but flawed king of the Káuravas, meets his end when he is dishonorably defeated in battle by his arch-enemy, Bhima. Framing a fascinating account of the sacred sites along the river Sarásvati, the duel poignantly portrays the downfall of a once great hero in the face of a new order governed by Krishna, in which the warrior code is brushed aside in order to ensure...

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Mahabharata Book Six (Volume 1)

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Mahabharata Book Six (Volume 1)

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“Bhishma,” the sixth book of the eighteen-book epic The Maha•bhárata, narrates the first ten days of the great war between the Káuravas and the Pándavas. This first volume covers four days from the beginning of the great battle and includes the famous “Bhágavad•gita (“The Song of the Lord”), presented here within its original epic context. In this “bible” of Indian civilization the charioteer Krishna empowers his disciple Árjuna to resolve his personal dilemma: whether to follow his...

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Mahabharata Books Ten and Eleven

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Mahabharata Books Ten and Eleven

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The great war of the Maha bharata is over. Or is it? This is a single extended family wracked in conflict. Both sides succumbed to treachery. Ashva tthaman, the young leader of the three survivors on the losing side, is incensed at his father’s murder. He returns after dark to the now sleeping encampment. The sacrifice of the unsuspecting champions, the «Dead of Night,» ensues. The five sons of Pandu have escaped. After a final confrontation, a missile crisis, Ashva tthaman concedes defeat but...

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Mahabharata Book Seven (Volume 1)

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Mahabharata Book Seven (Volume 1)

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After Bhishma is cut down at the end of the previous book of the Maha·bhárata , the book which bears his name, Duryódhana selects Drona as leader of his forces. Drona accepts the honor with Bhishma's blessing, despite his ongoing personal conflicts as mentor to both the Pándava and Káurava heroes in their youth. The fighting rages on, with heavy losses on both sides. Furious and frustrated, Duryódhana accuses Drona of collaborating with...

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Mahabharata Book Seven (Volume 2)

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Mahabharata Book Seven (Volume 2)

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Volume Two of «Drona» begins in the aftermath of tragedy. As evening falls, Arjuna journeys wearily back to camp and is greeted by the ashen faces of his brothers. Before they speak, he guesses the worst. And the worst is right: his son Abhimanyu is dead. Arjuna is inconsolable. Insensible with rage, he vows to take revenge on the boy’s killers. He swears that if they are not dead before another day passes, he will set himself alight. The world seems to shudder at his words.

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How the Nagas Were Pleased by Harsh...

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How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa

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Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake ( naga ). The Shattered Thighs , attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in...

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Mahabharata Book Nine (Volume 1)

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Mahabharata Book Nine (Volume 1)

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The Book of Shalya recounts in gory detail the final destruction of the Káurava army and the defeat of its leader, Dur·yódhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Káurava army, only to be slaughtered in his turn.The Book of Shalya recounts in gory detail the final destruction of the Káurava army and the defeat of its leader, Duryódhana. In this first volume...

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Mahabharata Book Twelve (Volume 3)

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Mahabharata Book Twelve (Volume 3)

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The Book of Liberation is perhaps the most enigmatic philosophical text from ancient India. Presented as the teachings of Bhishma as he lies dying on the battlefield, after the epic war between the Pándavas and Káuravas, it was composed by unknown authors in the last centuries BCE, during the early period of world-renunciation, when peripatetic sages meditated under trees and practiced austerities in forest groves, and wandering sophists debated in the towns and cities. There has been no time...

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Bhatti’s Poem: The Death of Ravana

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Bhatti’s Poem: The Death of Ravana

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To the dry bones of grammar Bhatti gave juicy flesh in his poem, telling the greatest Indian story in elegant Sanskrit. Composed in the fourth century CE, in South India, ”Bhatti’s Poem: The Death of Rávana” is both a poetic retelling of Rama’s adventures, and a compendium of grammatical and rhetorical examples for students. Bhatti’s study aid to Pánini’s groundbreaking grammatical treatise, the “Eight Books,” gives examples disguised as the gripping, morally improving “Ramáyana” story. In...

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Mahabharata Book Six (Volume 2)

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Mahabharata Book Six (Volume 2)

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This second half of Bhishma describes the events from the beginning of the fifth day till the end of the tenth of the great battle between the K&#225uravas and the P&#225ndavas. Despite grandfather Bhishma’s appeal to conclude peace with the P&#225ndavas, Dury&#243dhana continues the bloody battle. The key strategist is general Bhishma, commander of the K&#225urava forces. Even though he is compelled to fight on the side of the K&#225uravas, Bhishma’s sympathies are...

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Mahabharata Book Three (Volume 4)

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Mahabharata Book Three (Volume 4)

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“Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your lap. Then I saw a terrible darkness and a mighty person. If you know, then tell me – was it my dream? Or was what I saw real?”So speaks Satyavat, newly rescued from the god of death by Savitri, his faithful wife, at the heart of one of the best loved stories in Indian literature. This, and other well known narratives, including a version of Rama's story, bring the Forest...

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Handsome Nanda

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Handsome Nanda

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Nanda has it all: youth, money, good looks and a kittenish wife who fulfills his sexual and emotional needs. He also has the Buddha, a dispassionate man of immense insight and self-containment, for an older brother. When Nanda is made a reluctant recruit to the Buddha's order of monks, he is forced to confront his all-too-human enslavement to his erotic and romantic desires. Dating from the second century CE, Ashva·ghosha’s Handsome Nanda portrays its hero’s...

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Gita Govinda

Jayadeva

Gita Govinda

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Jayadeva’s Gitagovínda is a lyrical account of the illicit springtime love affair of Krishna and Radha, a god and goddess manifesting on earth as a cowherd and milkmaid for the sake of relishing the sweet miseries and rapturous delights of erotic love. The narrative framing their bucolic songs was composed under royal patronage in northeastern India in the twelfth century. It was to be performed for connoisseurs of poetry and the erotic arts, for aesthetes and voluptuaries who, while sensually...

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Jayadeva

The Rise of Wisdom Moon

Krishna mishra

The Rise of Wisdom Moon

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The Rise of Wisdom Moon was composed during the mid-eleventh century by Krishna mishra, an otherwise unknown poet in the service of the Chandella dynasty, whose cultural and religious capital was Khajuraho. The early popularity of Krishna mishra’s work led to its frequent translation into the vernaculars of both North and South India, and even Persian as well. Famed as providing the enduring model of the allegorical play for all subsequent Sanskrit literature, The Rise of Wisdom Moon offers a...

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Krishna mishra

Seven Hundred Elegant Verses

Govardhana

Seven Hundred Elegant Verses

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When Go·várdhana composed his "Seven Hundred Elegant Verses" in Sanskrit in the twelfth century CE, the title suggested that this was a response to the 700 verses in the more demotic Prakrit language traditionally attributed to King Hala, composed almost a thousand years earlier. Both sets of poems were composed in the arya metre. Besides being the name of a metre, in Sanskrit arya means a noble or elegant lady, and Go·várdhana wished to...

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Govardhana

Garland of the Buddha's Past Lives...

Aryashura

Garland of the Buddha's Past Lives (Volume 2)

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In this second volume of the Garland of Past Lives , Aryashura applies his elegant literary skill toward composing fourteen further stories that depict the Buddha’s quest for enlightenment in his former lives. Here the perfection of forbearance becomes the dominant theme, as the future Buddha suffers mutilations from the wicked and sacrifices himself for those he seeks to save. Friendship, too, takes on central significance, with greed leading to treachery and enemies transformed into friends...

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Aryashura

The Lady of the Jewel Necklace & Th...

Harsha

The Lady of the Jewel Necklace & The Lady who Shows her Love

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King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, Vásava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other.Co-published by New York University Press and the JJC FoundationFor more on this...

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Harsha

Rakshasa’s Ring

Vishakha-datta

Rakshasa’s Ring

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The aristocrat who wrote this vigorous political play eschewed sentimentality in favor of realistic characterization and forceful action. It is 316 BCE, one year after Chandra·gupta Maurya, aided by his subtle minister Chánakya, has seized the kingdom of Mágadha from the last king of the Nanda dynasty. Rákshasa, Nanda’s incorruptible minister, flees abroad and plots his vengeance, while Chánakya seeks to win him over to honor Chandra·gupta...

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Vishakha-datta

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