Nothing is as it seems. Childhood cruelty is played out behind bushes. Both the living and the dead commute to Waterloo station. Staying in for the plumber turns into a potentially fatal waiting game. And in ‘The School of English’, panic grips a household behind the stucco facade of a Notting Hill mansion. All that is clear and constant in these bracingly subversive stories is Hilary Mantel’s distinctive style and wit.
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